Nice prints and lots of character. I gave each miniature a completely different colour scheme and they came out brilliantly. Very satisfied.
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Free Shipping
We are happy to offer free shipping on our 3D printed miniatures.
Please keep in mind that every miniature is printed on demand, especially for you. This means that your miniature is not mass-produced or taken from a large warehouse stock. It is printed only after your order has been placed, then carefully cleaned, checked, packed, and prepared for shipping.
Because our miniatures are delicate collector pieces, the packaging process is very important. Each order is handled with care to help protect the miniature during delivery.
The usual production and preparation time is up to 7 days before dispatch. Once your miniature has been printed, prepared, and packed, delivery usually takes around 3 to 5 days.
This means that the full waiting time may be up to 14 days from the date of purchase, including printing, preparation, packaging, and shipping.
Free shipping is included for you, but please be patient while your miniature is created and prepared with the care it deserves. If our workload is lower, your order may arrive sooner, but we recommend allowing up to two weeks for delivery.
Our stories feature intricate plotlines, deep character development, and mature themes designed for a more experienced audience. While our content is suitable for readers 16 and older, we advise discretion, as some narratives may include complex themes, sophisticated language, and intense scenarios.
Parental guidance is recommended for readers under 16, and we encourage guardians to assess content suitability based on individual maturity levels.
This recommendation helps ensure an enjoyable and appropriate experience for all. We appreciate your understanding and cooperation.
Important information about our 3D printed miniatures
Our 3D printed miniatures are produced on demand, especially for you. This means that each miniature is only printed after the customer has placed the order.
Because these are delicate collector pieces, every miniature is carefully printed, cleaned, prepared, checked, packed, and protected with great care before being shipped.
The usual production and preparation time is up to 7 days. This includes printing, post-processing, quality checking, packaging, and preparing the order for dispatch. Due to the high demand for our miniatures, this preparation time allows us to make sure every piece is produced properly and handled with the attention it deserves.
Once your miniature has been printed, packed, and prepared, it will be shipped to you with free shipping. Delivery usually takes around 3 to 5 days after dispatch.
Please keep in mind that the full waiting time may be up to 14 days from the date of purchase, including production, preparation, packaging, and shipping. If our workload is lower, your order may arrive sooner, but customers should allow up to two weeks to receive their miniature.
Our miniatures are printed using high-quality resin and advanced 3D printing technology to achieve highly detailed results. We have over 10 years of experience working with 3D printing, digital sculpting workflows, miniature production, and professional print preparation.
Every miniature is created with care, precision, and respect for the artwork, so you receive a beautiful piece ready to be collected, painted, displayed, or used in your fantasy adventures.
Important to keep in mind: when a product is offered as a digital file, you are purchasing a digital asset designed to help you create, print, collect, or enjoy content in 2D or 3D, depending on the nature of the product.
Digital files are delivered instantly after purchase, with no physical shipping, no delivery waiting time, and no shipping costs.
Some digital files may be simple printable images, artwork, STL models, tokens, or other standalone assets. These products are designed to be downloaded and used directly by the customer.
Other digital products are connected to the epic lore of Kwasar: Chronicles of Heroes and the Multiverse Z. Through these products, you may discover stories, heroes, powers, races, and mysteries from the Multiverse-Z, as well as creative concepts linked to fantasy, sci-fi, myth, anime, 2D art, 3D printing, and collectible assets.
Some e-books and selected digital products may also guide you into the Arkademy, where you can learn creative workflows and skills related to 2D printing, 3D printing, asset creation, tokens, miniatures, and printable content.
Therefore, each digital file should be understood according to its own description. Some are simple downloadable assets. Others are part of a larger creative journey through Kwasar: Chronicles of Heroes, the Multiverse Z, and the Arkademy.
Aquí lo tienes reescrito correctamente, ordenado por párrafos y con redacción más profesional en inglés:
Disclaimer Regarding Mini Paint Samples
The mini paint samples included in this kit are provided free of charge and are intended strictly for practice purposes and introductory learning.
These samples are specifically intended for individuals who are new to crafting and miniature painting, allowing them to experiment with basic techniques before committing to purchasing larger quantities or specialised paints.
These samples are not intended for commercial use or resale.
Nature of the Product
The mini paint samples provided in this kit are non-professional. They are not designed to produce professional-quality or permanent finishes and are intended strictly as preliminary learning tools for those starting their crafting or miniature painting journey.
The paint provided is supplied in limited quantities. These small amounts are sufficient only for basic experimentation and learning, and are not intended for completing advanced, large-scale, or professional-level projects.
The samples are non-commercial. They are provided without monetary value, are not for sale individually, and are included only as a learning aid within the crafting kit.
Age Restriction
These mini paint samples are not suitable for use by children and should only be used by individuals aged 18 years or older.
The paints are intended for adult use due to their application methods and general safety considerations. It is the recipient’s responsibility to ensure that the paints are kept out of reach of children to prevent unintended use, ingestion, or misuse.
Compliance and Safety Standards
The paint samples are intended for general crafting use only. Where applicable, they are formulated to comply with ASTM D-4236 standards for non-toxic art and craft materials. However, they are not formulated, tested, or intended for use by children, nor are they suitable for food contact, ingestion, cosmetic use, or application to the skin.
The provision of these samples free of charge is intended to comply with applicable consumer safety and product liability regulations. These samples are provided as complimentary educational items, with clear information regarding their intended use and limitations.
These samples are provided without monetary value. They are complimentary items included to enhance the educational value of this kit and are not sold individually as goods.
Assumption of Risk
By accepting and using these mini paint samples, the recipient acknowledges and agrees that the paint samples are not intended for professional use or for producing professional-grade finishes. They are to be used solely for learning, testing, and practice purposes.
The paints should only be used in well-ventilated areas and with appropriate safety precautions. Protective gloves, protective clothing, or surface protection should be used where necessary.
The use of these samples is the responsibility of the recipient. Any potential risks, including those relating to health, property damage, staining, incorrect application, or unsatisfactory results, are assumed by the user.
The recipient assumes responsibility for the use of these paint samples, including any unintended consequences or outcomes resulting from misuse, mishandling, or failure to follow appropriate safety precautions.
The recipient understands that these samples are provided on an “as-is” basis, without any guarantees or warranties, either express or implied, regarding their performance, suitability, durability, or fitness for any particular purpose.
Liability Disclaimer
The seller disclaims liability for injuries, damages, losses, or unsatisfactory results that may occur from the misuse, mishandling, or inappropriate use of the paint samples.
The seller also disclaims liability for unmet expectations regarding the results obtained from the paints, as these samples are not intended to be professional-grade paints.
The seller shall not be responsible for third-party claims, including but not limited to health issues, property damage, staining, dissatisfaction, or any other issue arising from the use or misuse of these samples.
These paints are offered “as-is”, and the seller makes no representations or warranties regarding the quality, durability, suitability, or performance of the paints for any specific purpose.
The seller shall not be held liable for any direct, indirect, incidental, or consequential damages resulting from the use or misuse of these paint samples.
The paints should only be used under appropriate conditions and in accordance with the information provided.
Intended Use and No Resale
These mini paint samples are for educational and practice use only. They are intended to provide a starting point for beginners in crafting and miniature painting.
They are not for resale, and any attempt to sell or use these paints commercially is strictly prohibited.
The paints are intended only to demonstrate and practise basic techniques and are not a substitute for higher-quality or professional-grade materials required for more advanced projects.
Legal Notice
The seller provides these mini paint samples as introductory, complimentary, and non-commercial items.
The samples are provided free of charge and are not sold as individual products. Their inclusion in the kit is intended solely to support the recipient’s learning and practice experience.
The use of these samples is at the user’s own risk. The seller shall not be responsible for misuse, mishandling, failure to follow safety precautions, or use outside the intended purpose described in this disclaimer.
By using these samples, the recipient acknowledges the limitations of the product and accepts responsibility for their safe and appropriate use.
Requirement to Read Before Use
The recipient is required to read this entire disclaimer carefully before using the provided mini paint samples.
By using these samples, the recipient confirms that they understand and accept the information stated above, including the intended use, limitations, safety guidance, assumption of risk, and liability disclaimer.
If you do not agree with these terms, please do not use the provided mini paint samples.
Use of these samples constitutes acceptance of these terms.

There comes a moment in the life of every Eclipse Kwasar when the primordial silver form begins to change.
Not because someone commands it.
Not because a predetermined biological clock has reached a particular age.
And not because Silverium possesses a hidden final form waiting to reveal itself.
The transformation begins because the Eclipse itself has begun to develop an answer to the most fundamental question of its early existence:
Who do I want to become?
Until this point, the Eclipse has lived predominantly within the undefined state inherited at birth: a recognizable Sapiens silhouette covered in living Silverium, possessing consciousness and individuality, yet without a definitive Sapiens appearance.
But an Eclipse does not remain undefined forever.
As it grows, travels and encounters the extraordinary diversity of Tzion, something begins to happen.
Observation becomes fascination.
Fascination becomes preference.
Preference becomes identification.
And identification begins to alter the body.
This is the second great stage of Eclipse development:
Silverium has accompanied the Eclipse from the first instant of existence.
During the primordial stage, it maintains the body in an extraordinarily open morphological condition.
But now the relationship begins to change.
The Eclipse has accumulated memories.
Faces.
Cultures.
People.
Ideas of beauty.
Ideas of strength.
Ways of moving.
Ways of expressing emotion.
Ways of presenting oneself to others.
And gradually, consciously and unconsciously, the Eclipse begins to imagine itself.
Silverium responds to that emerging self-image.
At first, the changes may be almost imperceptible.
The contour of the jaw becomes slightly more defined.
The eyes acquire a more distinctive shape.
The bridge of the nose changes.
The mouth develops greater individuality.
Cheekbones emerge.
The proportions of the face subtly reorganize.
The body itself may begin to adopt increasingly characteristic proportions.
These are not random mutations.
They are the first physical echoes of identity.
Silverium is beginning to transform an internal image into an external form.
One of the most fascinating characteristics of this stage is that the Eclipse does not necessarily sit down one day and consciously design every feature of its future face.
The process is far more organic.
An Eclipse may spend years among a particular Sapiens civilization and discover that certain characteristics have begun appearing naturally within its own developing form.
Not because it is copying an individual.
But because something about that people has resonated with it.
At another point in its journey, that resonance may change.
Some characteristics remain.
Others soften.
Others disappear entirely.
New ones emerge.
The face becomes an evolving record of the Eclipse's encounter with Tzion.
For this reason, an Eclipse in the second stage may look dramatically different after several decades of travel.
Not because it is casually changing disguises.
Because it is still discovering itself.
This distinction is essential.
The Age of Definition should never be confused with ordinary shapeshifting.
An Eclipse is not transforming into different people for convenience.
It is not assuming identities as masks.
It is not impersonating the inhabitants of the civilizations it encounters.
The process has a completely different purpose.
It is morphological self-definition.
The Eclipse is gradually constructing the permanent Sapiens identity through which it will eventually live.
Every transformation therefore carries significance.
A feature that remains for years may indicate that the Eclipse has begun to recognize that characteristic as part of itself.
A feature that disappears may represent a possibility explored but ultimately rejected.
The body is effectively participating in a long process of self-discovery.
The Eclipse is not asking Silverium to make it look like someone else.
It is asking Silverium to help reveal what it increasingly believes itself to be.
The process is much deeper than choosing whether the Eclipse wants a particular nose, eye shape or hairstyle.
An Eclipse can ultimately define itself through the physical characteristics of the different Sapiens species and heritages existing throughout Tzion.
This means the decision concerns the architecture of the entire body.
Its proportions.
Its pigmentation.
Its facial morphology.
Its hair.
Its physical characteristics.
Its Sapiens heritage.
The Eclipse is progressively answering two related but different questions:
What kind of Sapiens do I recognize myself as?
and then:
What individual within that Sapiens expression am I?
The first begins defining the broader physical architecture.
The second creates the unique person.
This is why the process can take so long.
The Eclipse is not merely choosing an appearance.
It is choosing the physical language through which it will exist.
During Block II, the Eclipse develops one of the most visually distinctive appearances of the entire lineage.
Silverium remains clearly visible.
But the Sapiens identity begins emerging through it.
The once-neutral face becomes increasingly natural and individual.
Pigmentation may begin appearing across certain regions.
Hair can emerge from the silver surface, initially appearing almost metallic before progressively acquiring its intended texture and appearance.
The eyes become increasingly expressive.
Skin begins replacing—or appearing through—the primordial silver presentation.
Yet portions of Silverium may still dominate the body or face.
The result is an extraordinary transitional being:
part primordial Eclipse, part emerging Sapiens identity.
It is visually obvious that the transformation is incomplete.
One side of the face may appear more defined than another during particular phases.
Silverium may still frame the eyes, temples, neck or other regions.
Natural skin may emerge through flowing silver contours.
Hair may already look completely defined while other features remain almost sculptural.
The precise transition does not have to follow the same sequence in every Eclipse.
That individuality is important.
They do not all become themselves in the same order.
During this stage, the Eclipse possesses extraordinary freedom.
Nothing has yet crystallized permanently.
A characteristic may be explored.
Lived with.
Experienced.
And eventually reconsidered.
This is not treated as failure.
It is precisely what the second stage exists for.
An Eclipse may initially believe that one Sapiens expression represents them perfectly, only to encounter another civilization decades later and discover something within themselves they had never previously understood.
Silverium allows that discovery to influence the still-forming body.
The process may continue.
Again.
And again.
Until changes become progressively less frequent.
Because the Eclipse is no longer merely exploring possibilities.
It is beginning to develop certainty.
This is why Eclipse culture places enormous importance on experience before final definition.
An Eclipse who has seen only one world possesses very little with which to compare its possibilities.
An Eclipse who has travelled across Tzion has encountered radically different expressions of Sapiens existence.
Beauty may mean one thing on one world and something completely different on another.
Strength may be expressed through monumental physicality in one civilization and extraordinary delicacy in another.
Age may be revered somewhere and concealed elsewhere.
Hair, skin, eyes, stature, proportions and adornment may carry cultural meanings completely unknown beyond a particular world.
The Eclipse learns all of this.
And through that learning, the question evolves.
At first:
“What do I find beautiful?”
Later:
“What feels familiar?”
And eventually:
That final question is what matters.
This also gives the Eclipse concept an important philosophical depth.
Their ability could easily be misunderstood as the power to construct an objectively "perfect" body.
But that is not the purpose of the process.
There is no universal perfect Sapiens form.
An Eclipse who spends its youth chasing whatever each civilization considers physically ideal would remain trapped in endless contradiction.
The Age of Definition teaches precisely the opposite.
Identity is not optimization.
The final form does not need to be the tallest.
The strongest.
The most symmetrical.
The most conventionally beautiful.
The Eclipse must eventually choose the form that produces recognition.
The moment in which looking at its own reflection no longer feels like examining another possibility.
It feels like seeing itself.
As certainty increases, Silverium's transformations become more stable.
Features that once changed frequently begin remaining for decades.
The face stops fluctuating dramatically.
The Sapiens heritage becomes increasingly evident.
The body settles toward consistent proportions.
A recognizable individual begins to emerge.
Other beings may start recognizing the Eclipse by its face rather than merely by its Silverium presence.
This is a profound transition.
For perhaps the first time, the Eclipse can leave a world and return centuries later—
and the people who knew them may recognize the same face.
The temporary is becoming permanent.
Possibility is narrowing.
But this narrowing is not a loss.
It is the purpose of the journey.
Infinite possibility has little meaning until someone possesses the courage to choose.
Eventually, the Eclipse reaches a stage in which Silverium no longer needs to explore.
The face has remained stable.
The body has found its proportions.
The Sapiens expression has been established.
The Eclipse has lived within this emerging identity long enough to know that it is not fascination.
Not imitation.
Not temporary preference.
Not experimentation.
It is recognition.
At this point, an enormous decision approaches.
Because until now, Silverium has permitted reconsideration.
But the Age of Definition cannot continue forever.
Eventually the Eclipse must decide whether the being reflected before them is merely another possibility—
or whether it is finally:
That decision separates Block II from Block III.
And this is precisely why the second stage is so important.
The first stage gives the Eclipse possibility.
The third gives it permanence.
But the second gives it something neither of those states can provide:

Overall rating: 5 / 5 from 32 reviews.
Nice prints and lots of character. I gave each miniature a completely different colour scheme and they came out brilliantly. Very satisfied.
Megan K. 5/5
These were my first proper attempt at miniature painting and I loved it. Easy enough for a beginner but detailed enough to keep it interesting.
Megan H. 5/5
Really fun set. I particularly like that the characters don’t feel like the usual generic fantasy minis. Looking forward to seeing who comes next.
Alex H. 5/5
Received mine and immediately got the paints out! 😂 I’ve only finished one so far but I’m already really pleased with them. Thank you!
Sarah H. 5/5
Great miniatures. Primed them in black and spent the weekend slowly painting all the details. Very relaxing and they look excellent finished.
Pam A. 5/5
Such a lovely little painting project. Mine aren’t perfect at all, but I actually like that they look hand-painted rather than professionally done. Had loads of fun.
Chloe H. 5/5
The characters look awesome once they’re painted. Good amount of detail and some really interesting poses. Happy with the purchase.
Sam Y. 5/5
I bought these for myself as something creative to do after work. Honestly loved it. Painting them was surprisingly relaxing and they’re now proudly displayed in my room.
Rachel Z. 5/5
Very happy with these minis. Good print quality and no problems painting them after priming. The finished group looks really cool together.
Luke H. 5/5
I’m normally more into tabletop gaming than painting, but these convinced me to get the brushes out again. Really enjoyable set with some great character designs.
Peter J. 5/5
Super happy with my miniatures! I’ve painted all six now and each one felt completely different. Definitely kept me busy for a few evenings 😊
Nicole Y. 5/5
Really nice 3D prints. I painted mine fairly simply with a few highlights and they still look great. You don’t need to be an expert painter to enjoy them.
Josh D. 5/5
Loved the whole experience from choosing the colours to finally putting the finished minis on display. I’m already making space for another set!
Laura P. 5/5
Very satisfied. The miniatures have enough detail to reward careful painting but aren’t ridiculously complicated. Had a great time working through the set.
Mark J. 5/5
These are adorable! I painted them with my daughter and we deliberately gave everyone crazy colours. We had such a fun afternoon together. Thank you ❤️
Isabella J. 5/5
Finished my last one yesterday. Took me longer than expected because I kept going back and adding more little details! Really pleased with the final result.
Jamie H. 5/5
Absolutely delighted with them. I’m still learning to paint minis so they’re far from perfect, but seeing all six finished together was incredibly satisfying. Can’t wait for the next Multiverse-Z set!
Grace H. 5/5
Really pleased with my order. Clean prints, nice character designs and loads of fun once painted. I’ll definitely be interested in the next set.
Matthew D. 5/5
My boyfriend and I painted these together and had a great evening doing it. His are better than mine 😂 but we both loved the miniatures.
Olivia G. 5/5
Great value and a genuinely fun painting project. There’s enough detail to make them interesting without making them frustrating to paint.
Ben S. 5/5
Loved them!! ❤️ I spent two evenings painting the whole set and now they’re displayed on my shelf. Thank you for making something a bit different.
Hannah S. 5/5
Really cool characters and good print quality. I especially enjoyed picking my own colour schemes instead of trying to copy something exactly. Recommended.
Thomas W. 5/5
I had never painted a miniature before this set. Mine are definitely amateur looking but I had such a good time doing them. Now I want to paint more!
Jessica A. 5/5
Brilliant minis. Nice details, interesting poses and really enjoyable to paint. Mine aren’t winning any painting competitions but I’m proud of them!
Ryan H. 5/5
Bought these because I loved the character designs and I’m so glad I did. They look even better painted. Such a cool little project.
Charlotte T. 5/5
Very impressed with the quality. I primed them as soon as they arrived and have now finished three of the six. They take paint really well. Thanks!
Michael H. 5/5
So much fun! My painting skills definitely need some work 😂 but I loved every minute of it. The miniatures are beautiful and full of little details.
Emily Y. 5/5
Great little set. The 3D prints arrived looking really nice and the characters have loads of personality. Spent my Sunday afternoon painting them and really enjoyed it.
Daniel K. 5/5
Absolutely loved painting them. I’m still quite new to miniature painting and they were perfect for practising. Very happy with how mine turned out!
Sophie M. 5/5
Really happy with these minis! The details are fantastic and they were great fun to paint. Already looking forward to getting the next characters. Thank you!
James R. 5/5
Fast, and good delivery. Great quality
Emma G. 5/5 Verified
Medusa vs Perseus – Epic 3D Printed Statuette (150mm) - By Nerikson
Amazing product !
Antonio G. 5/5 Verified
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